We are forced to confront many things in the images that photographer Johnny Milano spent five years capturing. The ceremonial burning of a cross and a swastika in an open field. The silhouette of a child, a young and defenseless observer of hate, situated between the flaming structures. The Nazi symbol on shirt and skin. Some of the images look modern; others seem straight out of an earlier era. They represent a people striving to keep with tradition, while simultaneously looking to rebrand their beliefs and appeal to new followers. Membership spreads not simply through inheritance, but through outreach.
Taken together, Milano’s images make it impossible to deny that white supremacy is alive and well in this country. Powered by